Na Southland ir Watchmen tai lygintini tik is to kad ale apokaliptiniai filmai, ar bent veda prie to. O siaip Watchmen man asmeniskai vienas geriausiu filmu ever, sakyciau isejau is sales paveiktas taip pat kaip ir po Inception (su vau efektu) :) "Norw" <meilo@nera.lt> wrote in message news:i4pk2g$net$1@trimpas.omnitel.net... > Perziurejau. Galiu pasakyt tas filmas yra vienas didelis "mindfuck" su buriu > zvaigzdziu ir pigiais efektais. > Po Donnie Darko galvojau, kad rezisierius yra jaunasis genijus. Po Southland > Tales ir The Box manau, kad rezisierius tiesiog toliau saudo tais paciais > soviniais, tik pastarieji du nelabai sekmingi. Kurybingas tas Richard > Kelly, bet deja per daug druskos sugadina patiekala. > > Kas nemate siulyciau geriau paziureti Watchmen > http://www.imdb.com/title/tt0409459/ > Panasus "alternatyvus" pasaulis, istorija taip pat pasakojama vieno veikeju, > persidenge siuzetai ir vizualiai idomus filmas. Ir sakyciau zymiai idomesnis > ir daug geriau pavykes nei Southland Tales. > > > > "Kaksht" <kaksht@cianetikrasmuilas.com> parašė naujienų > news:i4jl34$sav$1@trimpas.omnitel.net... >> http://www.imdb.com/title/tt0405336/ >> >> Kazkaip prisiminiau sita sena filma ir nutariau priminti tiem kas nemate >> :) Siaip sunkus filmas ir tikrai nekiekvienam, daug kas nesupras, daug kam >> nepatiks, bet kam patiks - tam labai patiks. Man asmeniskai labai patiko, >> super istorija, super nuotaika perteikta filme, ir visi aktoriai labai >> gerai vaidina. >> >> Rekomenduoju! >> >> vienas komentaras is youtube >> "This movie was very under rated. It is a fantastic story which makes you >> think about you and your life style. The style of the film is also >> individual which I love." >> >> Papaste'insiu viena is review is imdb: >> This is the way the world ends. Not with a whimper, but with a bang. >> >> This is a film about all of the seemingly random events that lead up to >> the end of the world. And it's also a comedy. >> >> That says it all right there, doesn't it? >> >> When this film ended, I ran to tell every one I could find about it. The >> odd thing I found about it was that I ended nearly every one of these >> conversations with the following: >> >> "It was amazing, but don't see it. You won't like it." >> >> It's strange to hope that a film I feel so passionately about should not >> be seen by the very people I want to discuss it with. However, that's >> exactly the way I feel here. This film is not for everybody; in fact, >> there are only a precious few out of all of the people who see it that >> will even tolerate its existence. But you know what? That really isn't >> important. >> >> Art is subjective, and no matter how many times I bother to explain a >> difficult concept to somebody who hated this film, I realize that it will >> never work long before the conversation ends. The problem is that these >> difficult concepts are actually very simplistic: Richard Kelly had Dwayne >> Johnson spoof the stereotypical, apocalyptic action-hero throughout the >> film. This included over-dramatic readings of his lines, delayed reactions >> and odd vocal dynamics. >> >> What? You say that it wasn't intentional, and that it was just Johnson's >> poor acting skills? >> >> This is where the small-minded fail to grasp the most simplistic of >> concepts. The great analytical film student will analyze a crooked frame >> and declare the brilliance of its intent; they will say that this >> intentional error supports the themes of the piece. So why does the same >> not go for Southland Tales? >> >> Each one of these already-marked actors has broken out of their shells for >> this movie. The fact that everybody stereotypes them attests to Kelly's >> genius in assigning them the roles; however, it also proves how >> unfortunately small-minded today's modern audience has become. >> >> Was this film a mess? Absolutely, in every sense of the word. But was it a >> coherent mess? That's the real question, and I think that I can safely say >> that it is. This film is nowhere near as difficult to understand as >> anybody would have you believe. The concepts are straightforward and are >> practically dictated to you by the narrator; this becomes essential to the >> understanding of the story, as there is just way too much going on to take >> in on your own. However, instead of hindering the film, it makes these >> seemingly unrelated scenes string together into a true tapestry that is >> worth exploring. >> >> So, you know what? I'm going to go against my own advice and advise >> anybody and everybody who reads this review to go out and see this film. >> If you don't like it, don't come back to this website whining about it, >> because nobody here has the tolerance to explain things to you that you >> will never understand. No amount of discussion of cinematography, lighting >> or the fantastically haunting score by Moby is going to change the mind of >> an already jaded viewer. >> >> But maybe, just maybe, you will like it. You'll get a chance to experience >> something you're likely to rarely, if never, experience again. Because as >> all of us who enjoyed the film know: >> >> It had to be this way. >> -- >> Honda Civic '00 EK3 1.5 Vtec-E >>